Tuesday, December 30, 2014

Tuesday poem #91 : Andy Weaver : Incognito

clinamen, rückenfigur, contrapposto,
the world in its objects
turns away. Time.
Space. Change
is the miracle the twist offers
a wink and beckoning finger.
Even the unwobbling pivot walks,
precision notates its precession.
Language is not soul
's psychopomp. Qu'est-ce que c'est?
This is the joy of the world
it changes. The littoral zone
of the literal. It is change
and we will always know this
by never knowing it. It. This. Dike
. Strife is justice. A wave lost
in the distant sea is not
a diminishment of the water.
Civil. Nautical. Astronomical.
Night black with the stories
of moon. Dark enough for each
and every, every and each gives
way. Astronomical. Nautical.
Civil. A sun spins grooves across
the sky to weigh the scales
of the moon. This marks the ultimate
expression of the sanctity
of the ordinary: no matter where
we turn--toward the stars, the rain,
the worm underfoot--there is nothing
but divinity anywhere
. Heraclitus plays
knucklebones with children in
the temple of Artemis. The dear
as always, leads the hunt, the vowels
stumble after. Noli me tangere.
The problem's crux, it would seem,
is that we live precisely
at the speed of change. Agape,
he experienced agápē. But what
does it mean. Whatever it
means. Whatever, it means.

Andy Weaver has published two books of poetry, Were the bees (NeWest 2005) and Gangson (NeWest 2011) and a recent chapbook, Concatenations, through above/ground press. He teaches contemporary poetry and poetics at York University.

the Tuesday poem is curated by rob mclennan

Tuesday, December 23, 2014

Tuesday poem #90 : Lesley Yalen : DECEMBER 23

I unfinished this large
question to you, it took time
movements abnormal to my mouth.
This thing about what work will
we do, what good would it do,
are we what luck looks like
before it runs out? This fight
about how happy to let it get
or whether this shrinking balloon
is happy at all. Our girl who
you just explained Spain to
doesn’t sense any connection
between water and ice. She’s
incurred no maps, no enemies,
no debts. She is remarkable among
the inhabitants of this house.
The map you made depicts
this quadrant of small goals
we didn’t reach but don’t
dismiss the achievements we
never aimed for in monogamy,
genetics, and sometimes even god.
Look, I can’t explain the moon
or why I’m not interested in it
it’s the end of the world and we
have to think of something else.
I distract myself with memorabilia
from the last world, singing Silent
all is calm all is bright,
and our kid gets very quiet.

Lesley Yalen’s writing has appeared in jubilat, The Massachusetts Review, Denver Quarterly, Octopus, Everyday Genius, Better, and elsewhere. Her first book, The Hearts of Vikings, is imminently forthcoming from Natural History Press. She lives in Northampton, MA.

the Tuesday poem is curated by rob mclennan

Tuesday, December 16, 2014

Tuesday poem #89 : Valerie Coulton : from Office Field Guide

Bottle of sand from home place and confused-looking plastic egg with orange feet. Lanyard. One program to cope with time and one to organize forgetting. Overused superlatives. Unable to swim we take countless photos.

Finds words doesn’t know he has. Today as anniversary of something, what dappled bark records. Believes in common sense. Eyes light blue with dark targets: inviting certain words. Holds a handful of his chest as he speaks.

Mouthful of rosemary, unable to continue. Encounters breed discomfort, lead to troubled dreams. Build a little city for each idea. Came back to find his wooden house painted pink.

Refuses to speak English at threat of losing home. Unmoved by characters, their bright costumes beside the point: they will not become his friends. Selective, with long eyelashes, parted from momentary joys.

Limit as purpose, on purpose.  Second language skin smoother than first, less pocked by daily touch.  Held himself fingers to elbows. What admitted, what disclosed.  Late summer light an elegy to beginning, to the dreams beforehand.  He will not be described here except in native terms.

Postcard a snapshot of imaginary toys, under chair and before star-painted wall. Building sites everywhere, anything will do. Self a collection of habits, hair, clippings, folded paper. Said anything unwritten would be finally unreal. Whatdoyouthink?

Criticized extra time needed for speaking: this appears as flesh un-optimized. What dangles about the body waiting for someone appreciative to stop by.  Caressing the word delicias: next time try to remember that this means McNugget when applied to chicken on what we call a menu. In sticky tomato sauce with fried potatoes and the one across is eating fish and beans. Skinny conversation clambers over holdless rock.

Spine curved to work slopes. Impossible to set right again (see blind osteopath) and none are very good with figures. 18:00 the nonsense hour (go home!), a siren song of sugared something: another’s photos better than mine. Could hang from metal rod suspended overhead. Could walk into desert seeking appropriate stone. No music for these habits, no opening to stitch. Open a request. Insert a cell. Get back to me when you can.

Office unmoored, gravity suspended. He floats across the studio, a paper in his hand.

I would like to give you what you would like. I would like you to like what I would give you. I give you what you would give. I like what you would like to give. I would give what I you give. I would like. I would.

You are not open. You should update your profile. You will be evaluated by your colleagues. This word is difficult to pronounce. I’ve been reviewing the feedback. It took one hour and five minutes. Can you help me?

Grapes, chocolate, almonds. Each appointment a different color.  Do you think I’m improving? Translation loses everything, a pile of words to be swept up. Continuous, continuously. You are invited to chew, to suck, to savor. Your eyes are tired, your neck relates oddly. Source documents are the only ones worth reading.

Would not recommend him without his weight: belly bespeaks a character going lost at the end of a desirable era. Imagine him thin! Would anyone listen then?

All the rooms have names except the ones that don’t and these are fishtanks and not recommended for certain kinds of meetings

Must send it in every manner or something left out. Push at 5:52, give almost melted chocolate to people with numbered wishes. A difficult market. Fat cows and thin ones, what it says in someone’s holy book. Put post-its to represent what the people say they want. Put post-its to represent chewable units of exchange.

Misunderstanding as practice: it’s time to revise your dreams. No, it’s time to review your dreams, maybe you don’t want to change a thing. This very day. This very minute. Confusing if you think about it. Confusion was key to the dream: I hadn´t committed a crime but thought I might be accused. Then thought I had done it and wouldn’t be caught after all.

He was a counter of trees. He wanted to think in her language. He showed inappropriate images at table. He choked on the exam. It went down the wrong way. It was supposed to clear up. Two punctuation marks are converted into a smiley. This is as automatic as digestion.

What you believe vs. what is.

A test to give evidence of personality. In every moment you must choose, and this is what you are. Statements about the self.  You are leaving traces everywhere. You should leave your shoes at the door. When was the last time you washed your feet?

Green highlighter, can of coins, blue post-its, heart lollipop, Greek horses, the card that lets you come in, not enough exclamation points, scroll down a little, do you want to correct the text?

Hidden body.

Forgetting will not exempt you from routine transfers. Could add better blood or submit to blue light, neither option pleasing to the tongue.

Those who are never satisfied roam freely or sit comfortably in blue chairs with rollers chosen by an appropriate one. Do you hesitate to express your opinion? Do you put the needs of others first? Won’t you have a piece of chocolate? Testing the boundaries of productivity is our fondest wish. We’re passionate about a space for painting milk bottles to resemble the giants of the town. You’ll be happy when you start forgetting. Lean back in your chair and start to count.

Valerie Coulton's books are open book, passing world pictures and The Cellar Dreamer, all from Apogee Press. Her work was anthologized in As If It Fell from the Sun, EtherDome Press. Her poems have appeared in many journals, and she lives in Barcelona with the poet Edward Smallfield.

the Tuesday poem is curated by rob mclennan

Tuesday, December 09, 2014

Tuesday poem #88 : Pearl Pirie : neither evil nor saved, I sidestepped it all at the second coming

planted in front of the grill, I tend most of all to my cold hands
after holding the Corbeaux de Fer, vintage 1989, best chilled.
it would be a heresy of a sort otherwise for a dry white wine.

“maybe you are alone in all the world today. there’s not another
soul alive. even the flowers all knew Jesus. but not every insect”
I offer myself that consolation, insouciant, head full of butterflies,

a garden of them will suck dry every nectar in there. not a person
will come up my stairs, said the lady who lives upstairs in my head
in her dry tone and chignon up-do. therefore I am alone, no one

will cram my corridor before I close my door. shoulders hunched
swing like a dog protecting my meat from theft. habits hold me.
once the last caterpillar is crisply well-done I’ll pop open my wine.

    (A homophonic translation of a Michèle Provost novel text.)

Pearl Pirie has two poetry collections, and a third forthcoming with BookThug in 2015. She has a few chapbooks, most recently vertigoheel for the dilly (above/ground, 2014) and Quebec Passages (Noun Trivet Press, 2014) and today's woods (above/ground, 2014). She runs phafours, a micro press, several blogs, has a gig as literary radio host at CKCUfm Literary Landscape, and has irregular gigs to teach poetry. www.pearlpirie.com

The Tuesday poem is curated by rob mclennan

Tuesday, December 02, 2014

Tuesday poem #87 : Jean Donnelly : Sixteen

                        for Jack

what is this?
soot? sand?
an indefinite
march on
an obscure

it's a teetering
epic shaking
its fist at
the petulant
atonal whining
of crows

ceaselessly donning
the moodiness
of adolescence

(the era that nails
in a panic at

hawks & worms
& lichens build in
the day beside
the inaudible
chortle of doubt

it is no reach
to say I long
to protect you

clothed or bare
with safe hands
& all the small
words we
no longer hear

don't forget your
house key or
to let me know
when you arrive

Jean Donnelly is the author of Anthem (Green Integer) and Green Oil (Further Other Book Works, 2014). She lives in Exeter, New Hampshire.

the Tuesday poem is curated by rob mclennan

Tuesday, November 25, 2014

Tuesday poem #86 : Mercedes Eng : my anti/gentrification sampler

A    affordable home ownership
B    business improvement assoc.
C    community benefits agreement
D   downtown ambassadors
E    economic development
F   fixed rate
G   greenest city
H   heritage incentives
I    interest free
J    job opportunities
K   kick em while they’re down
L    luxury condo
M   mortgage
N   nimby
O   organic produce/d by the poor
P    public/private partnerships
Q   quality of life
R   revitalization
S   social enterprise
T   ticketing
U  universities
V  value
W  warrant checks
X  xanax
Y  youyouyouyouyou
Z  zoning
A    accumulation
B    bourgeois sanctuary
C  communize
D  displacement
E  eviction
F  food security
G  gentrification
H   homes not prisons!
I  inclusion
J  justice
K  Keynesian economics
L  landlord
M  mobilize
N  neighbours
O  organize
P    public/private policing
Q  quality of life
R  real estate speculation
S  social housing now!
T  tenant rights
U  unceded Coast Salish land
V  values
W  women’s memorial march
X  xenophobia
Y  yuppies and yes men
Z  zero sum game

Mercedes Eng is a writer and teacher in Vancouver, Coast Salish territory. Eng's first book of poetry, Mercenary English (CUE, 2013), is described as a "risky and profoundly unsettling work of 'autocartography'". Her work has appeared in various literary and critical journals, chapbooks, public art projects, and protests.

the Tuesday poem is curated by rob mclennan